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Hello, my name is Lisa
Johnson-Richards. I am often asked how I got started,
although I have been creative for as long as I can
remember, doll making was not what I set out to do. I
studied Art and Graphic Design at Newcastle College of
Art & Design, following which I worked in the
Advertising field as an Illustrator for eight years,
before leaving in 1996 to have my first child, a son
called Christian. However, it was with the birth of
my daughter, Rebecca which led me into the world of
miniature doll making.
Having made a rocking horse for Christian my father,
also an Artist, decided to make a dollhouse for his
new grand daughter. It was this creation that I
decided to attend my first major miniature show during
the Autumn of 1999. I went with the intention to
purchase a cook for the dollhouse, however, I found
the dolls I loved were simply not within my budget and
I was not happy to settle for the more affordable
ones. On the train home I became friends with other
miniaturists who had been to the same miniatures
show, one of which sympathised with me and
understanding my plight, she gave me a miniature doll
in kit form to dress.

Dressing only 3 doll kits I realized I had found my
forte, and I knew I would not be truly happy until I
was able to make the dolls fully myself and from
scratch. Not being one to do things halfway, I
literally jumped-in-with-two-feet and bought a kiln in
the summer of 2000, and with absolutely no knowledge
what-so-ever, I began pouring, firing, painting and
all of the other aspects of doll making. I am
completely self taught, through many tedious trials,
errors, tears and pure experimentation.
Doll making is a challenging role because it involves
diverse talents, such as sculpting, painting, costume
design, pattern design, sewing, wig making and hair
styling. Requiring such multi-skilled talents is what
makes it so appealing to me as I am able to utilize
all of my creative skills, its extremely rewarding. I
feel doll making has come instinctively to me, and it
provides me with mental and emotional relaxation, its
a form of escapism from real life. I feel good when I
am doll making, I love it, and some how it is the
answer I have been looking for.

After After only 6 months of creating my first doll, I
was asked to participate in the showcase at the London
Dollhouse Festival. I was completely stunned and
honoured as this is a very prestigious show here in
the UK, artists can wait many years to receive an
invitation. My work was extremely well received and I
sold all that was displayed. The following year I was
invited back as a fully-fledged exhibitor, I literally
sold out on the very first day and I have never looked
back since!
My medium is porcelain, which I love because of its
translucency. I take inspiration from historical
books and real life. Our children are a great source
of that inspiration, often I will ask one of them sit
in a position for an idea for a new doll, and they
love to join in with the creative process. I enjoy
dressing dolls from any period and I thoroughly
research each costume for every doll using my ever
expanding collection of fashion history books, antique
fashion plate books, videos and by visiting costume
museums. I look at every minute detail from underwear,
shoes, costumes and hairstyles of the period required.
I see it all as a challenge, especially that of
working out a pattern for a complex and intricate
costume design or finding suitable materials and
laces. I prefer to use antique materials, laces,
trims and beads which spill over and out of numerous
drawers in my studio. For me, doll making is very
satisfying and I get great pleasure from the new
owner¹s face, or comments written in a Thank You
letter.

Working entirely alone from my studio at home allows
me to work full~time on my creations, whist being here
as a full~time mother for my children. I consider
myself extremely lucky as I have tremendous support
and encouragement from my husband, family and friends.
For me, doll making is a dream come true!
Thank You for Visiting
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